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Art & Performance


Gabriella Ghermandi: Author and Performer with a Native Soul Print E-mail
by Claire Lavagnino | The African Tribune | Monday 21, 2007

We are stories of stories in history.

These lines were uttered by Ethiopian-Italian author Gabriella Ghermandi during her recent visit at UCLA to illustrate how “Through my story you can see how history can pass through people’s lives.”

The author’s first U.S. tour began in April in Wisconsin, included stops in Los Angeles and San Diego, and concluded in May in Colorado. Ghermandi performed her work, All’ombra dei rami sfacciati carichi di fiori rosso vermiglio (In the Shadow of the Shameless Branches Laden with Bright Red Flowers), in its original Italian version. It recounts the story of a young girl and her family during the late 1970s regime change in Ethiopia. Through Ethiopian songs and expressions, the artist radiates the emotions and communal experiences of her protagonist. Learning to ride a bicycle becomes a collective event and one of conscious appreciation of Ethiopian culture, just like gathering with family and friends to watch television. The work also depicts the influence of Italian colonialism on Ethiopian society. Ghermandi based her performance on the Ethiopian tradition of qene, a style of speech that creates double meaning of words and images, where one meaning remains on the surface while the other exists on a much deeper level.

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Out of Africa Print E-mail
By Angela Lu | UCLA DAILY BRUIN

Several weeks ago, Ethiopian painter Qes Adamu Tesfaw flew on an airplane for the very first time in his life at the age of 75. It would have been great, except that the flight from Ethiopia to Germany and then on to LAX was 27 hours long, and Tesfaw had a fear of flying.

His trip to the United Sates, however, was a dream-like opportunity that he couldn't pass up.

"He was very excited about it," said Ray Silverman, who has worked with Tesfaw over the last 12 years. "It's something that he could have only dreamed about because most Ethiopians don't have an opportunity like that."

It was his first time traveling to another country, but it was what he was traveling for that was probably the bigger dream than traveling itself. He was attending the opening-week festivities of the very first exhibit dedicated solely to his artwork, "Painting Ethiopia: The Life and Work of Qes Adamu Tesfaw," which will run at the UCLA Fowler Museum of Cultural History until Sept. 18, and which Silverman curated.
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